I’ve always found the art of storytelling to be important. It’s taken me to places I’ve dreamed of as well as places others have created. Drawing has always been my passion, and the desire to entertain audiences of all ages has matured with time. When I realized I could make my own stories and illustrate them, it was clear that it was something I wanted to do. I always appreciated books that spoke up to me rather than down or too simply. The books on this list do just that.
I wasn’t the strongest reader as a child, but the simple, wavy line drawings drew me in. They told the story just as well as the words, and the level of emotion behind them brings me back every time.
The book’s profound message of what “giving” is, together with the passage of time and the bond between the two characters, is not only intriguing for all ages, but demonstrates what love, kindness, and simple friendship mean. Everything about it marked me and created a long-standing change in my thinking.
As recommended by Meghan Markle as the one book she can't wait to share with her child - the timeless fable about the gift of love
Once there was a little tree ... and she loved a little boy.
So begins the classic bestseller, beautifully written and illustrated by the gifted and versatile Shel Silverstein.
Every day the boy would come to the tree to eat her apples, swing from her branches, or slide down her trunk ... and the tree was happy. But as the boy grew older he began to want more from the tree, and the tree…
This book struck a visual chord and changed the way I looked at picture books. As most of my favorites were in full or limited color, Jumanji’s black and white illustrations had extreme perspective and were visually exciting.
This book inspired me to push both my illustration and text for picture books toward a less juvenile or simple presentation. The illustrations in Jumanji are a departure from the ordinary in both subject and artistic approach. It urged me to look harder at the extraordinary in the ordinary.
1
author picked
Jumanji
as one of their favorite books, and they share
why you should read it.
This book is for kids age
6,
7,
8, and
9.
What is this book about?
A 30th anniversary gift edition to celebrate Jumanji's 1982 Caldecott Award! Over thirty years ago, Peter and Judy first found the game-Jumanji-with the instructions that once the game is started, it must be finished or it will go on forever-and it was then, with this same wonderment, readers found Jumanji, too. Since its original publication, Jumanji has been honored with many awards, including the Caldecott Medal, and in 1996, the surreal story was adapted to fit the big screen for the first time.
I hadn’t read this as a child, but upon reading it the first time, it made me feel like a child. The deep introspection, written with the imagination and voice of a young child, was calming, and I felt as if he knew how I thought as a child and adult.
I was living in France at the time, and the story had a foreign mood but was familiar. The book reached into personal childhood daydreams and fantasies. The prince’s way of thinking and expressing himself was definitely not from the modern day and it inspired me to write “up” to younger audiences. The immediacy and freshness of the illustrations motivated me to think less and feel more when creating.
Few stories are as widely read and as universally cherished by children and adults alike as 'The Little Prince'. Richard Howard's new translation of the beloved classic-published to commemorate the 100th anniversary of Antoine de Saint-Exupery's birth-beautifully reflects Saint-Exupery's unique and gifted style. Howard, an acclaimed poet and one of the preeminent translators of our time, has excelled in bringing the English text as close as possible to the French, in language, style, and most important, spirit. The artwork in this new edition has been restored to match in detail and in colour Saint-Exupery's original artwork. By combining the new…
This was a picture book that simply encompassed the way I thought as a child. The illustrations married perfectly with the story and urged me into Max’s world while giving me the sensation of riding the edge of a nightmare, minus the fear.
The drawings were masterfully done. The waves and monsters rolled, and I moved, danced, and played with them all in my imagination as if in slow motion, staying in this world as long as I wanted.
It gives me the same sensation today as it did in my youth and hits me with a melancholy nostalgia that pulls hard at my inner child to return.
Read-along with the story in this book and CD edition!
One night Max puts on his wolf suit and makes mischief of one kind and another, so his mother calls him 'Wild Thing' and sends him to bed without his supper.
That night a forest begins to grow in Max's room and an ocean rushes by with a boat to take Max to the place where the wild things are. Max tames the wild things and crowns himself as their king, and then the wild rumpus begins.
But when Max has sent the monsters to bed, and everything is quiet,…
The story itself evokes memories of dreams and nightmares, but Arthur Rackham’s drawings made me want to draw and tell stories through images.
I knew the curious story of Alice before seeing Rackham’s illustrations and loved the predicaments, characters and how random everything was. His drawings completed the story, and I saw the pair as a perfect match; they were rich and on point with how my imagination wanted them to be.
Arthur Rackham’s illustrations paint Alice’s fantasy world in dark, ethereal tones in this enchanting edition of Lewis Carroll’s beloved children’s story.
Tumbling down a rabbit hole, young Alice finds herself in an incredibly strange fantasy land full of curious characters. Lewis Carroll’s 1865 children’s book is one of the most well-known stories of all time. This edition of the beloved tale is accompanied by haunting illustrations from one of the greatest artists of the Golden Age of Illustration, Arthur Rackham. His portrayal of Wonderland is as disturbing as it is enchanting. A dark world painted in hues of brown,…
My tale is of an artist who created a book in the 1800s that was discarded and buried. I was the one to find it many years later. The artist drew views of Paris and was always surrounded by moths and butterflies. Some were afraid, but children were always curious. Showing his drawings to children, he would ask them to write their own story around his images. If they wrote, their dreams would come true. Later, he would toss the pages he was given into the air, and they would never fall but always fly toward the sun.
The book is the artist’s own story; a moth’s journey to the sun. There are pages at the end for the reader to write their own story.
When I was nine years old, my first poem was ‘published’ in my elementary school’s annual creative writing booklet. It was such a thrill to see my poem in print and to know lots of people would be reading it. I was hooked on writing, but it would be many, many years before I was published again. While I know it’s never too late to publish a book, I regret how long I waited. Young writers, don’t be afraid to go for it and don’t ever feel you’re not old enough for your words to matter. Readers need your unique, fresh vision.
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea…or is it?
"Flight to Brassbright appeals to my inner child's desire for adventure and independence as well as my (mostly) grown-up desire for really well-written stories that capture my imagination and hold my attention." - Tricia, Amazon Reviewer
"...well plotted with a likable protagonist...upbeat with…
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea… or is it?
